Wednesday, November 23, 2016

It's time for SWAP

Every year I want to do the SWAP, and many times I fail to complete it.  (I have actually finished by the deadline once or twice.)  This year I think I have a plan that I can actually complete.  The SWAP officially begins December 26, but between now and January 12, I will be busy sewing for my trip to Uganda.  Then I will be gone until February 5, so my start date will not be until the middle of February.  I will try to get 2 items completed before I leave - and hopefully these items will make it into my suitcase for Uganda!  It's hot and humid there, so cool clothes are definitely what is needed.

On the other hand, it is cold here now and long sleeve tops are what I really want to make.  I'm afraid that will have to wait until I return from Uganda.

So the rules for the SWAP are pretty flexible this year.  You can see them here.  This is the plan that I have come up with that I think will work for me.


I have 2 "overs" - a purchased cardigan and faux leather jacket
3 bottoms - knit skirt, woven pants, and stretch jeans
6 tops - 2 blouses, a shirt, and 3 tees.  I may change the tee pattern, but I'll do a test one first.

The patterns I'm using are
Silhouette patterns Max's jacket
Simplicity 1253 - for 2 blouses
TSW Now and Zen - linen shirt
Loes Hinse Ascona Pant (and I'm adding the pockets from the Oxford Pant
Jalie Stretch Jeans
and Christine Johnson's Basewear Two  knit skirt.
I've chosen the Jennifer Stern Tee shirt pattern, but since I have never made it, I may substitute something else if I don't like the way it looks.

But for now, it's time to start making the apple and pumpkin pies!
Happy Thanksgiving!!

Sunday, November 20, 2016

Fall creations and more


I haven’t been sewing as much as I’d like to, but I’m getting back in my groove.  I’ve been working on Christmas presents for my family and just finished this afghan for my son.  It was supposed to be his present last year, but oh well!  I do love Tunisian Crochet.  This pattern is from the book, Get Hooked on Tunisian Crochet by Sheryl Thies.  I really love this book.























I have done a little sewing, and made this outfit for the grand daughter.  She has been asking for a gold skirt forever.  Well, she finally got it!  This was her birthday outfit. 


















 







She also got THIS little thing for her birthday (from me of course!)  I LOVE It.  She really can use it and made a little simple felt purse on it (but I forgot to take a picture of it.)  Next I want to teach her to make a skirt.  She is only five, but doing a great job!  I've read lots of good reviews about the durability of this machine, so I couldn't resist.  Plus, since it sits in my sewing room, it's like having a new toy myself!


































I have been busy preparing for another trip to Uganda.  This year my friend Sylvia is going with me and we will be going for 3 weeks in January.  The ladies have requested to learn how to make panties and menstrual pads. After combing the internet and pinterest, and making a few different samples, we finally found our “winners.”

The panties will be made from this pattern.  The only thing I don’t like about it is that the crotch lining is too small.  I will add about 1” to the length of the lining.  These panties are easy to make and fit will.  They are the winner in my book.

We sort of came up with our own design for the menstrual pads.  They will come in 2 parts.  The outer piece is the one that will snap around the crotch of the panties.  The “pad” part is actually 2 layers of flannel fabric (7 inch square) sewn together.  This is folded in thirds, giving six layers of absorbency.  






The advantages of this design are
  1. They can use more than one liner if needed for heavier days or night time
  2. The cotton outer fabric is comfortable and pretty
  3. The snap design is clever, but a safety pin can be used if they don’t have access to snaps
  4. The inner layer will dry quickly when washed and unfolded to dry.
We are also blessed that a couple of the teens at our church are willing to do a test run on these for us.  We want to make sure they work well and there are no problems that we didn't foresee.  I'm way beyond the point of being able to test them out myself!

In Uganda, will be working with about 20 ladies at a time who do not speak English.  We will only have a few sewing machines, so much will be done by hand.  This will be a challenge.  Also, the panties will have to be sewn by hand because the treadle machines only have straight stitch and the panties will be in a knit fabric.  Sewing on the elastic really needs to be done with a stretch stitch.




Going to Uganda to work with these ladies is an experience like you can never imagine.  I am so thankful to be able to share it with someone new this year.  It takes us months of preparation to go - shots, fundraising, coming up with workable sewing projects, making prototypes, tracing off patterns, gathering supplies, and preparing bible studies.  There is much communication that must go on with the sending organization as well as making arrangements with the people we will be staying with in Uganda.  This is why we start preparing in October for our trip in January!





Saturday, September 03, 2016

Sequoias and Mix It Top

Yesterday, Andy and I took a trip to Sequoia National Park.  If you have never been there, you need to put it on your bucket list.  I have been to a few National Parks, but I really think Sequoia is the most beautiful.  We had perfect weather and it was a wonderful day.  We only live about 10 minutes from the park entrance, so I think we sometimes take it for granted.  It is so gorgeous and I always wonder why I don't go more often.  Well, one of the reasons I don't go more often is that once you get in the park, there are a lot of winding roads and hairpin turns to get to the big trees.  But, the road is good and well-maintained, so it's not that bad.  I just hate driving, especially on wind-y roads.











The giant Sequoia Trees are the largest (in mass) in the world.  The General Sherman tree, is the largest living thing in the world. I didn't take a picture of it this time, but it has lost 40 feet off the top of it due to lightening.  It also lost a large branch.  The branch is still on the ground and is as big as many trees.  Even with losing all of this, the Gen'l Sherman is still the largest living thing!

 The coastal redwoods are also beautiful and they grow taller than the Sequoias.  However, the Sequoias are very fast growing, live to be thousands of years old, actually thrive with some forest fires and have huge bases.







Here we are standing in front of a fallen tree and you can see the amazing root system. Sometimes the Sequoias just lose their balance and fall over.  They have very shallow root systems.  This particular tree, named the Buttress Tree is about 272 feet long and the base is over 20 feet in diameter!  The tree was estimated at 2300 years old when it toppled over in 1959.

 No, I'm not wearing white socks.  My legs are just that white.  :-(

 And another view from inside of a dead tree looking up to the sky.  You can tell that I just LOVE being in the park.  It's kind of like a magical fairy-land.



We got home late in the afternoon, so I did get some time to finish up a sewing project.  This is the Mix It Top from The Sewing Workshop.  Normally I do not like things up close to my neck, and this is no exception.  Although this top does button, I will be wearing it unbuttoned.  I really do like the Sewing Workshop patterns.  Sometimes they don't look that great on the envelope, but I usually end up really liking the patterns.  The instructions are always well written, and there are usually some interesting applications.  I don't have a picture, but this time it was the way the neckline facing was done.  I like the way it came out and it was easy to do.  


I do like the little button closure in the front, but again, I will not be wearing it like that.  In fact, if I make this again, I will change the neck treatment.  I found a cool vintage button, so that's what I used on this one.  
This top is basically just straight.  There are horizontal darts, but I still did a FBA.  Next, I added vertical darts in the front and back.  I could have taken even bigger darts, but I've found that blouses that are that fitted are difficult to iron, and I like to iron my tops.



I'm really liking the color of this top.  I never used to like orange, but lately I've been into it.  This is a good thing since this shade of orange is right in my color fan.  
Another thing I like about this top is the back.  It has a yoke.  I think I need to lengthen the top of the back because it wants to fall back on me.  This is something that always happens with me and blouses.  I do not have a rounded back, in fact, I usually have problems because my back is erect.  However, I do have a forward thrusting neck, so I think that is what causes my collars to fall back on me.


I've been wearing this top (and the skirt is the Saltmarsh Skirt from the Merchant and Mills Workbook) all afternoon and evening, and it is very comfortable.  I like it a lot more than I thought I would.  This one is just made from quilting cotton.  I love the look of all the poly slinkies that are available, but I just can't wear polyester for more than a couple of hours.  I have some silks in my stash that I've been experimenting on with dying.  I'm sure one of those fabrics will make its way into this pattern!

Wednesday, August 24, 2016

Remake - cropped pants

A couple of years ago, I bought the book, Simple Modern Sewing.  I think it was the first Japanese sewing book that I got.  I love the designs, but I especially love the simple, concise directions.  The first (and only so far) thing I made out of this book was a pair of cropped pants.  Well, I've worn those so much that they finally gave out - the fabric did anyway.

Fast forward to this week, my friend Maureen came over and we did a little sewing.  And what did we make?  Cropped pants of course!  The last pair I made were from linen and I loved them.  She made hers from linen, and yes, she is loving them.

This time, I made mine from organic cotton that I happened to find a JoAnns.  I love this fabric and want to go back and see if they have any more.  I think I saw it on their website once.  It is soft and has a nice drape. Besides that, I love the color!

According to my hip measurement, I should have made a large in these.  I actually intended to make a medium this time, but was not paying attention well enough when I was cutting and cut the small again.  The pattern has a LOT of ease.  It calls for 1/2" seams, so I made my side seam and inseams 1/4" since I neglected to cut the right size (can't talk and cut at the same time,)
I'm totally fine with the way they fit.  I wore them all day yesterday and I didn't have to tug at them or pull them up.  I may make another pair in a larger size, just so that I can see how I like them.  I think I want to make these in the long version also.  They are just so comfortable.








The back pocket piece came in the pattern, but next time I think I might make it a bit smaller.  In fact, Maureen and I were talking about doing another pair with inseam pockets instead.  I HAVE to have my pockets you know!


It looks like I may have had the pants twisted in the front when I took these pictures.  It's not fun being your own photographer.  They really don't have a big weird pleat looking thing in the front.

Thursday, August 18, 2016

Merchant and Mills Saltmarsh skirt

A couple of months ago, I started learning about Merchant and Mills.  I had seen several of their patterns on a variety of threads and was especially intrigued by this dress made by Ruth.  That post is what got me started looking at these patterns.  I ordered the 'Workbook" and love the vibe of the whole thing.














The patterns are printed on both sides of the sheets, but they are not overlaid on top of each other and they are easy to read.  Also, the sheets are not so huge that they are unwieldy.  They are about 1/2 the size of a BurdaStyle pattern sheet.  Much easier to use






Here are the patterns that are included.




When I saw the Saltmarsh Skirt, I knew that would be the first thing that I made.  I even had some great linen on hand to do it!  The color of mine is called Blue Bonnet from Fabrics-store.com


According to my measurements (which you have to convert from metric if you are used to US standard) I needed to cut the size 16, which I did.  Next time, I will cut it down to the 14.  There is ample room.  Also, next time I will add 2" to the length.  I have short legs, and even worn below my waist, I could not do the 1.25" hem as suggested.  I just serged the edge, turned it under and stitched to get it as long as possible.  It is the perfect length for me now with flat sandals.  The skirt looks fairly straight in the pictures, but it is actually more of an A-line.




I love the pockets on the sides and I like the way they were done.


This skirt has a separate waistband.  They have you thread the tie through the grommets after the waist band is attached, but I didn't do it like that.  I sewed the front of the waistband and then placed the tie against the fold, pinning it in place so I didn't accidentally stitch through it. Before pinning it, I used a safety pin to bring the ends through the grommets.  My bodkin would not fit.  You could also use buttonholes instead of grommets, but I really like the way they look.  I used the 1/4" grommets.  I really wanted brass, but they only come in silver or gold colors.










The waistband is then turned to the inside and you stitch in the ditch.  I recently bought a new foot for machine called a "fabric-joining foot"  It's designed for stitching (either zigzag or faggoting) two fabrics that are butted up to one another.  The little blade on this foot makes it super easy to stay in that ditch for the stitching.















The pictures I took of this skirt were after wearing it all day, in and out of the car multiple times for errands, in 106 degree heat!  I think it held up better than I did!  And yes, I love those pockets :-)

I love this skirt and actually had a stranger come up to me in the parking lot to tell me how much she liked my outfit.  (This made me feel especially good, because she was a lot younger than me and stylish looking.)  Even  the nurse at my doctor's appointment today was asking me all about it.  We got on a big discussion about linen and I told her that my favorite place to buy linen is at fabrics_store.com.  I definitely think I will have to make another one of these!

(The next time I wear this, I think I will adjust the gathers to be more at the center back and none at the side seams!  That's a pretty wide fanny view. )

Decorative Stitching on a pattern piece.

Good morning!  (Well, at least it is morning for me as I begin this post.)
Yesterday, I forgot to add how I did the stitching on the neckline.  I don't have pictures, but I can lay it out for you.












  • First, I cut out all the pieces except the two neck bindings.
  • I traced the neckbindings on the fabric (I had already cut out the two facing pieces.) and then interfaced the area that would cover the bindings.  I used a water soluble marker to trace them.  I did this because I did not know if the stitching would make the piece get smaller. 
  • Next, I did a couple of samples on smaller pieces of fabric to see how I wanted to get the design to lay out.  i bought a rayon thread that was close to the color of the fabric.  I wanted to bring out the yellow, so it is a little bit more yellow than ivory.  I think the tone on tone look is a little more elegant than contrasting stitching.
  • The fabric still seemed a little wimpy for all that stitching, so I used Solvy water soluble stabilizer on the underside of the fabric.  I used 505 temporary adhesive spray to keep the solvy in place.
  • After I finished all the stitching, I checked the size against the pattern pieces and cut them out.  They did not change in size - but I would always do it this way just in case!
  • I found that the added advantage of leaving the pieces uncut while stitching is that it is much easier to turn and manipulate the fabric under the presser foot.  I messed one up and tried it on a cut out piece and it was a nightmare!
  • Finally, I rinsed out the cut pieces by hand and let them dry before sewing them in.  This is unnecessary, but I don't like the feeling of the stiff stabilizer when I'm working with it.
My new Baby lock has hundreds of stitches on it, so I want to incorporate that into some of my garments.  This was a leaf and vine pattern.  I ran three rows of it with the middle row running the opposite direction.

Wednesday, August 17, 2016

S1253 - Earthy Rich Parchment

I have had this pattern for a while, thinking I would make view E.  As it turns out, I ended up making view B first.  I was in JoAnns the other day and saw this beautiful "parchment" colored cotton gauze.  I whipped out my color fan, and sure enough, it was the right color for me.  I have a couple of other cotton tops in a similar style that I've been wearing all summer, so I knew this would be the perfect pattern for this top.













I wanted to do something a little extra for the neckline area, so I used the decorative stitching on my machine and some rayon thread to give some texture to the neckline.  I like how it turned out.  I think that was the most time consuming part of the whole top!










The rest went together really easily.  I did make a few alterations.  One time a few years ago I talked with Loes Hinse in her shop in Carmel.  She suggested that for my figure, instead of doing a FBA or adding darts to an undarted top, that I add to the top of the shoulders in the front about 1/2" and to just make sure I have enough circumference across the bust.  So, this is what I did.  I added to the top of the shoulders in the front only and did nothing to the back.  I extended the armscye seam out to the size I needed for my bust.  I usually have to make the shoulders about 2 sizes smaller than my bust size.  This is a pretty forgiving pattern and the fabric is pretty flowy, so it definitely worked for this.  It will be interesting to see how well it works when I make one of the views that has a straight hem.  Another advantage of this adjustment for me is that it lowers the neckline.  I have a forward tilting neck, so I usually try to lower any neckline that is high.  This one sits perfectly on my now.


I also raised the front of this blouse a bit.  It wasn't hitting me in the right place, so I raised the front only.






I love this top, and the first time I wore it, DH and I were going out of town for the day.  On the way to his meeting, I managed to dribble coffee down the front of my top.  Arghh.  I got most of that out, but then we went to teppanyaki for dinner and somehow I got sauce on the front of my top!  No wonder I rarely where light colors!!  Thank goodness for shout and a little laundry detergent.  It all came out in the wash - phew!





The color of this top fits into my new color plan.  I am only supposed to wear my "whites" on one half of the body at a time, so a top in this color is perfect.  As you can see, this is about as light as I should go in the white category.  I am not a high-contrast person, so I would not wear this with a dark skirt or pants.  Something midrange is a little better for me.  The pants I am wearing in these pictures are a little light, but they are all I have right now that work. I'm going to be busy getting a lot of sewing done I hope!




Because of the contrast in the pictures, the top looks almost white.  However, in real life, it is almost exactly the color of the top swatch on the "conservative" page.  It's just a touch more yellow.

Saturday, July 30, 2016

Color and Style Analysis

Well, Thursday I had my consultation with John from PSC.  It was so fascinating to watch this man work.  I went in with no face make up (a little eye makeup in neutral tones was fine) and a beige and cream top.  We spent a little time talking and he explained how the process would go.  He opened each drawer of his massive cabinet of fabric colors and picked up different samples, talking to himself and to me through out.  He had great natural lighting in the room, plus additional color corrective lighting above.  He held the different fabrics up to me and as he chose them he would put them on the table in between us and keep moving them around.  He went through this process with each color family.  He held the swatches up to my face and checked my eyes.



 After we finished with all of the colors, he taped them onto cardstock pages grouped by categories such as Powerful, Playful, Reserved, Romantic, Sophisticated, and so on.  Each color group was in an order so that I would know "Go no more yellow than this or more blue than that.  No darker that this or lighter than that.  This is the edge of how bright you should go"  Each page is set up like that.  As we were going along he note how different colors made me show up more and which were too pale or bright.  He also kept expressing that he was a little surprised at how warm I actually was.  So are you ready??  I am....
75% Earthy Rich (most of us know as Autumn) and 25% Striking Contrast (AKA Winter.)  This means that I can wear mostly warm colors either muted or jewel toned (ie some of the plums, teals, and coppers) but I can also wear full on black, but not black and white.  He went over some color combining techniques for my individual coloring, and I was really glad to learn that I can wear ALL of the metals other than rose gold (too pink).  He even went over what some of my best fabrics would be - Linen, silk noil, courderoy, velvet, crepe, some tweeds, herringbone.  In other words, some texture, but for my stature, not lots of texture - or if there is a lot of texture to a fabric, just in small amounts.  He also went over what shapes for necklines and accessories would suit my coloring best.


It is going to be fun learning to use and mix the colors.  I was surprised that my lightest white/ ivory was darker than I had expected.



The next part of the consultation was the style essences.  Of course, we had been chatting all along, so he was getting to know some things about me.  Then, he had me stand a few feet away from him so he could check out my body shape and proportions. (no measuring)  I'm not sure how he figured this part out, but he did some kind of mathematical calculations and determined my style essences.  This rung so true for me and let me know why sometimes I think my style is all over the place.  Although people are rarely, if ever, 100% all one essence, I was kind of all over the place.  I am 10% natural, 10% high spirited, 10% dramatic, 30% romantic, and 40% classic.  They two types of which I am zero, I had already ruled out myself.  Those were Youthful and Ethereal.  He went over what those things meant and how they would fit into my color pallette and wardrobe.  He did go over what fashion shapes match these essences, but we did not go over which styles of clothing would look best on my body type.  This was fine because I already know most of that from so many things I have read and personal experience.  (for example, jewel necks make me look like my bustline is at my waist, straight skirts make me look wide all the way down, etc.)  There are lots of good, inexpensive, easy to find resources for that kind of information.

All in all, I was very impressed with the whole process and couldn't believe the time went by so quickly.  My appointment was at 1:00 and I didn't leave there until after 5:30!

Since it was about a 5 hour drive from my house to Oakland, I was so happy to have my friend Kathryn go with  me.  Of course, we made a fun road trip out of it!  Even though Kathryn  does not really sew, she was more than happy to go with me to Stone Mountain Daughters, one of my favorite fabric stores!  I took my book into the store with me and it was really helpful to pick up colors.  It was a beautiful day and they had all the doors open, so it was easy to take a bolt and my book over to the natural light and check out the colors.  One thing I found was that I was picking out fabrics that were too bright.  I stuck to my fabric swatches and picked what blended in color, depth and value with my palette.  It's going to take me awhile to get my head wrapped around wearing some of these colors that I've never warn before.  Some I have always been drawn to like the more jewel toned corals, teals, and greens. I have also always liked olive and Khaki green.  The challenge for me will be the more muted tones.  I could have easily spent megabucks in SMD, but I limited myself to just a couple things.  Then I realized I needed thread.  The remnant shelves were by the thread and I found a beautiful silk.  Then, there was a beautiful (and expensive) fabric by the cutting counter that I just had to have, so I didn't do so well at controlling myself after all.

Now the "fun" will begin.  I have massive amounts of fabrics that I will be getting rid of.  This is good because I have too much and that makes choosing a lot harder.  Also, knowing now what I know about my colors, I realize why I am not motivated to sew some of these fabrics.  Some of these fabrics I can overdye, but some I will sell or give away.  Any that I sell, I will use that money toward my next ministry trip to Uganda.  I'll be keeping you posted on that.

Oh, another thing.  I was supposed to get my hair cut and colored the day before my appointment with John, but I decided to postpone it until after my appointment.  I'm glad I did, because he gave me some suggestions that would help particularly when I am wearing black or very dark colors.  I have my appointment on Tuesday, so I'm excited to see how that works out.












Wednesday, July 27, 2016

Metropolitan Coffee Bag

It's not the first thing I've made since I got my new sewing machine, but it is the first thing that I made completely on my machine.  A few days ago I made a skirt and shell out of ponte, but I actually used my serger and coverstitch more than I used my sewing machine!

I've had the fabric to make this bag for months, but just not got around to putting it together.  Parts of it were a bear (why did I choose faux leather handles and trim)  but I'm glad I had a great machine to handle the challenges.

I have made this Metropolitan Bag twice before and wore them both out.  It has been my favorite purse of all that I've made, so it's time to make it again!  (First version, which I still have, although it is too worn out to use now).  Actually, I lost the pattern, and now it is out of print.  I picked up a copy on ebay.  It's a great pattern - IF you add pockets :-)

This pattern does not have pockets, and I am a pocket fanatic on handbags!  I added a patch pocket with faux leather trim to the front, a zippered pocket to the back, a double pocket on the inside and a zippered pocket to the other side of the lining.  Another change I made was to use fusible fleece instead of muslin to interface the bag.  I did use the fleece plus timtex to reinforce the band.












Using the faux leather was a challenge.  I did a sample first and tried topstitching thread and regular thread.  I decided the regular thread actually had more of the look that I wanted.  When it came time to make the actual handles, I kept having skipped stitches.  I tried changing from a universal needle to a microtex 80, but still kept having problems.  I called Toni at Dublin Sewing Center, where I got my machine, and she was a great help.  First, I lessened the pressure on my pressure foot and used a 3.5 size stitch.  She suggested a jeans 90 needle.  (BTW, she said that the leather needle punches a different shaped hole and would not be the best for faux leather) I think I have every size and type of needle except THAT one!  I wasn't willing to drive the 45 minutes to JoAnns to get one.  Then I remembered that I had a topstitching needle on my machine when I made the sample.  Once I changed back to that, it worked fine, but you can bet I will be buying some jeans needles the next time I am in town!  The next thing was, how was I going to attach the handles.  If I would have done it the way the pattern suggests, I would have had to have sewn through 8 layers of faux leather in addition to 2 layers of fabric and 2 layers of fleece.   I ended up sewing the handles onto the band and then making little squares to sew over the raw ends.
My Babylock Aria




sewing machine has a feature of directional sewing where I can not only sew forward and backward, I can sew left and right as well as on the diagonal.  This feature was absolutely the best for adding these handles.  I had the bag over the free arm and it was so stiff, there was no way I could have turned it to stitch the square on the handles or the handle covers.  I actually have this feature on my other machine, but never used it.  Now that I see how valuable it is, I will be using it again.

Another issue I had was that I could not center the design on the fabric.  I would have had to buy double the main fabric in order to do it.  I figured that I would be the only one who would be noticing (I hope), so I went with it the best I could.  Unfortunately, this makes everything look off center, but usually my bag is moving around as much as I am,so I think it will be OK.

This bag took me a few days to make, but I really like it.  I have fabric in another color group ready to make the next one.  Some changes I make will be to make the pocket on the front and the patch pocket on the inside a little bit smaller so that they don't interfere with the pleats.  Also, I think I will try shapeflex interfacing instead of the fleece on that one.  I need to make a note of how much extra fabric to buy to make the extra pockets.  I had to piece the inside double pocket and use another scrap from stash to line the zippered pockets.



I'm going to the Bay Area tomorrow with a friend and I'm so glad I finished this purse to take on the trip!